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<channel>
	<title>TERENCE</title>
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	<link>http://terencenance.com</link>
	<description>has been erased.</description>
	<lastBuildDate>Sat, 27 Feb 2010 23:40:39 +0000</lastBuildDate>
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		<title>Testing this mobile blog thing</title>
		<link>http://terencenance.com/2010/02/testing-this-mobile-blog-thing/</link>
		<comments>http://terencenance.com/2010/02/testing-this-mobile-blog-thing/#comments</comments>
		<pubDate>Sat, 27 Feb 2010 23:40:39 +0000</pubDate>
		<dc:creator>terence</dc:creator>
				<category><![CDATA[randomness]]></category>
		<category><![CDATA[phone]]></category>
		<category><![CDATA[test]]></category>

		<guid isPermaLink="false">http://terencenance.com/2010/02/testing-this-mobile-blog-thing/</guid>
		<description><![CDATA[Just trying to test out this mobile blog thing I&#8217;m doing his from my phone
]]></description>
			<content:encoded><![CDATA[<p>Just trying to test out this mobile blog thing I&#8217;m doing his from my phone</p>
]]></content:encoded>
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		<title>Haiti A Reminder</title>
		<link>http://terencenance.com/2010/01/haiti-a-reminder/</link>
		<comments>http://terencenance.com/2010/01/haiti-a-reminder/#comments</comments>
		<pubDate>Thu, 14 Jan 2010 14:06:52 +0000</pubDate>
		<dc:creator>terence</dc:creator>
				<category><![CDATA[everything]]></category>
		<category><![CDATA[disaster]]></category>
		<category><![CDATA[earthquake]]></category>
		<category><![CDATA[haiti]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[touissant]]></category>

		<guid isPermaLink="false">http://terencenance.com/?p=383</guid>
		<description><![CDATA[My mother forwarded this email to me, I think its relevant. If you don&#8217;t know who Touissant L&#8217;overture is read this and then google that name. An active understanding of history is the only path to understanding the present.
While I was watching the news  today (01/13/2010) concerning the earthquake, reporters constantly reminded  us [...]]]></description>
			<content:encoded><![CDATA[<p>My mother forwarded this email to me, I think its relevant. If you don&#8217;t know who Touissant L&#8217;overture is read this and then google that name. An active understanding of history is the only path to understanding the present.</p>
<p><span style="font-family: Times New Roman; font-size: small;">While I was watching the news  today (01/13/2010) concerning the earthquake, reporters constantly reminded  us of Haiti’s poverty. It is the poorest country in this hemisphere  was repeated. Let us look back at the history of why Haiti is such a  poor country. I doubt the media will inform us of this.</span></p>
<p><span style="font-family: Times New Roman; font-size: small;">I will quote extensively from  two books by Randall Robinson “An Unbroken Agony: Haiti, From Revolution  to the Kidnapping of a President”. The other book “Quitting America:  The Departure of a Black Man from his Native land”</span></p>
<p><span style="font-family: Times New Roman; font-size: small;">From “An Unbroken Agony”,  page 21;</span></p>
<blockquote><p><span style="font-family: Times New Roman; font-size: small;">“As punishment for creating  the first free republic in the Americas (when 13 percent of the people  living in the United States were slaves), the new Republic of Haiti  was met with a global economic embargo imposed by the United States  and Europe. The embargo was strengthened by a further demand from France  for financial reparations of roughly $21 billion (2004 dollars) as compensation  from the newly freed slaves for denying France the further benefit of  owning them. It would be the first time in history that reparations  would be imposed by a defeated nation on the nation that had defeated  it.”</span></p>
<p><span style="font-family: Times New Roman; font-size: small;">“American economic sanctions  against Haiti would not end until the Emancipation Proclamation in 1863,  nearly sixty years after the founding of the free Haitian republic.”</span></p>
<p><span style="font-family: Times New Roman; font-size: small;">“In 1825, twenty-two years  after L’Ouverture’s death, the Haitian army was no longer the feared  fighting force it had once been. France, threatening to reenslave Haitians,  imposed an ordinance requiring from Haiti a payment of 150 million francs  and a 50 percent tariff reduction for all French ships docking in Haiti.*  To meet the first payment of 30 million francs under the terms of the  ordinance, the government of Haiti was constrained to borrow the full  amount from a private French bank, MM Ch Ternaux Grandolphe it Cie.”</span></p>
<p><span style="font-family: Times New Roman; font-size: small;">“After extended negotiations,  in 1838, under the Traite’ d’Amitie’ (Treaty of Friendship), the  original obligation of 150 million francs was reduced to 90 million  francs, with the government of Haiti required to make thirty annual  payments of 2 million francs in order to pay off the 60 million franc  balance. Haiti had to make these payments in addition to payments it  had been making to a succession of private banks from which it had to  borrow at onerous interest rates in order to meet the terms of its original  obligation to France.”</span></p></blockquote>
<blockquote><p><span style="font-family: Times New Roman; font-size: small;">“And forcing  slaves who had won their freedom to compensate their former masters  for their lost property was recognized, even in the 19<sup>th</sup> century, as a violation of human rights and international laws. By the  time of the 1825 Ordinance, the international slave trade had been abolished  and the reintroduction of slavery into free territories forbidden by  the Second Treaty of Paris and the Congress of Vienna – both of which  France had signed in 1815.&#8221;     <em>Human Rights Advocates</em> </span></p></blockquote>
<p><span style="font-family: Times New Roman; font-size: small;"><strong>*From a statement by Human  Rights Advocates, an American organization that supports efforts to  win restitution from France for the Haitian people: </strong></span></p>
<blockquote><p><span style="font-family: Times New Roman; font-size: small;"><strong>“Compare the (French-) imposed cost of Haiti’s independence  – 150,000,000 francs – to the price paid by the United States to  France for the Louisiana purchase – 80,000,000 francs for an area  of land seventy-four times that of Haiti and one can only begin to sense  the enormity of the reparations burden and the extortionate terms imposed.” </strong></span></p></blockquote>
<blockquote><p><span style="font-family: Times New Roman; font-size: small;">“As late as 1915, 111 years  after the successful slave revolt, some 80 percent of the Haitian government’s  resources were being paid out in debt service to French and American  banks on loans that had been made to enable Haiti to pay reparations  to France.”</span></p>
<p><span style="font-family: Times New Roman; font-size: small;">“In 1922, seven years into  a nineteen-year American military occupation of Haiti that resulted  in 15,000 Haitian deaths, the United States imposed a $16 million loan  on the Haitian government to pay off its “debt” to France.”</span></p>
<p><span style="font-family: Times New Roman; font-size: small;">“The American loan was finally  paid off in 1947. Haiti was left virtually bankrupt, its workforce in  desperate straits.”</span></p>
<p><span style="font-family: Times New Roman; font-size: small;">“The Haitian economy has  never recovered from the financial havoc France (and America) wreaked  upon it, during and after slavery.”</span></p></blockquote>
<p><span style="font-family: Times New Roman; font-size: small;">Agony, page 57;</span></p>
<blockquote><p><span style="font-family: Times New Roman; font-size: small;">“On April 7, 2003, The Bicentennial  of Toussaint L’Overture’s death, President Aristide announced the  findings of a restitution commission formed by his government. The commission  determined that France owed Haiti $21 billion, the value in current  dollars of the money France extorted from Haiti following its successful  slave rebellion. On October 12, 2003, the president convened a four-day  international conference of experts at Haiti’s National Palace to  further discuss Haiti’s restitution claim against France for repayment  of the debt. Among the participants were French historian, human rights  commissioner, and author of <em>The Crime of Napoleon</em>, Claube Ribbe,  and Tulane law school professor Gunther Handl, a respected authority  on international law.”</span></p></blockquote>
<blockquote><p><span style="font-family: Times New Roman; font-size: small;">&#8220;Indeed, much of  Haiti’s current problems are directly attributable to the exploitation  and repression during France’s colonial rule, as well as the brutal,  far-reaching measures imposed on Haiti by the major powers in response  to Haiti’s declaration of independence… Arguments supporting France’s  right to have drained Haiti’s treasury were not persuasive 200 years  ago, and they are not persuasive now. As legal scholars and litigants,  we are willing to work with Haiti to seek redress from France, and this  deserves broad-based international support.”</span></p></blockquote>
<blockquote><p><em><span style="font-family: Times New Roman; font-size: small;"> Professor Charles Ogletree Harvard Law School</span> </em></p></blockquote>
<blockquote><p><span style="font-family: Times New Roman; font-size: small;">“France was not the only  Western society that would capitalize an industrial economy with proceeds  amassed from slave labor. The United States, Spain, Holland, Denmark,  and Great Britain would do much the same.” </span></p></blockquote>
<blockquote><p><span style="font-family: Times New Roman; font-size: small;">“The personal  and public wealth of Britain created by slave labour was a crucial element  in the accumulation of capital that made the industrial revolution possible,  and the surviving profits have remained a bold element with specific  families and within British society generally, cascading down from generation  to generation, in John Major’s felicitous phrase. In this context,  the demand for reparations is a serious position, similar to the claim  put forward by the nations of Holocaust survivors for the return of  property stolen by the Nazis. Black people whose forebears were slaves,  victims of that other Holocaust [Maafa], are simply asking for the stolen  fruits of their ancestors’ labour power to be given back to their  rightful heirs.”</span></p></blockquote>
<blockquote><p><span style="font-family: Times New Roman; font-size: small;"> Richard Gott <em>Guardian January 17, 2007</em></span></p></blockquote>
<blockquote><p><span style="font-family: Times New Roman; font-size: small;">“If Britain owes reparations  to the descendants of the enslaved Africans whose uncompensated labor,  in large part, financed Britain’s industrial revolution, France owes  Haiti a great deal more than the $21 billion Haiti applied for in late  2003.”</span></p></blockquote>
<blockquote><p><span style="font-family: Times New Roman; font-size: small;">“Over a century and a half,  France not only appropriated the worth of Haiti’s enslaved population’s  toil but also forced Haiti to pay reparations to France following the  Haitian revolution. France’s real debt to Haiti thus amounts to the  $21 billion France exacted, in addition to the assessed value of the  labor of the Africans France enslaved in Haiti from the mid-seventh  century to the end of the slave revolt in 1804.”</span></p></blockquote>
<blockquote><p><span style="font-family: Times New Roman; font-size: small;">“One month after the conference,  in December 2003, French foreign minister Dominique de Villepin sent  his sister to Port-au-Prince to tell Jean-Bertrand Aristide, the democratically  elected president, that it was time for him to step down.”</span></p></blockquote>
<p><span style="font-family: Times New Roman; font-size: small;">From “Quitting America”,  Randall writes, page 200;</span></p>
<blockquote><p><span style="font-family: Times New Roman; font-size: small;"><strong>“I’ll try to make this  as painless as possible, but Americans really must learn that one needs  to know, at least, a little of what went on in the past to have any  chance at all of understanding the present.</strong> Between Toussaint’s heroic  rebellion of 1791 and Aristide’s stunning election in 1991 (with 67  percent of the vote to the U.S.-supported candidate, Marc Bazin’s,  14 percent), the United States has done documentably some quite awful  things to the people of Haiti:”</span></p></blockquote>
<ul type="disc">
<li><span style="font-family: Times New Roman; font-size: small;">During the rebellion    itself, the United States joined European powers in aiding France’s    violent suppression of the slave uprising.</span></li>
<li><span style="font-family: Times New Roman; font-size: small;">The United States    blocked Haiti’s participation in the Western Hemisphere Panama Conference    of 1825 and did not recognize Haiti until 1862, when President Abraham    Lincoln thought of Haiti as a convenient repository for freed American    slaves. Said Senator Robert Hayne of South Carolina in 1824: “We never    can acknowledge her independence…. The peace and safety of a large    portion of our union forbids us even to discuss it.”</span></li>
<li><span style="font-family: Times New Roman; font-size: small;">Placatory toward    France, the United States accommodated its European ally as France pressed    Haiti for 150 million francs to be paid in reparations to the slave    plantocracy for losses suffered in the slave’s successful quest for    freedom. This served early on to destroy the new black republic’s    fragile economy.</span></li>
<li><span style="font-family: Times New Roman; font-size: small;">During the American    military occupation of Haiti, which began under President Woodrow Wilson    on July 28, 1915, and lasted for nineteen years, de facto slavery in    Haiti was reinstituted; Haiti’s constitutional system was dismantled;    226,000 acres of Haitian soil were given over in concessional lease    arrangements to American corporations; fifty thousand peasants were    dispossessed in the North alone; workers were forced to toil for twenty    cents a day, and the U.S. Marine Corps” “pacification” efforts    claimed up to fifteen thousand lives.</span></li>
<li><span style="font-family: Times New Roman; font-size: small;">In 1937, three years    after the American occupation had ended, Rafael Trujillo, ruler of the    neighboring Dominican Republic, ordered troops to undertake a massacre    of Haitians that claimed eighteen thousand to thirty-five thousand lives.    Afterward, Cordell Hull, the U.S. secretary of state, said: “President    Trujillo is one of the greatest men in Central America and in most of    South America.”</span></li>
<li><span style="font-family: Times New Roman; font-size: small;">President John F.    Kennedy provided the murderous Haitian dictator Francois “Papa Doc”    Duvalier with broad military assistance, in the words of Noam Chomsky,    “as a part of a general program of extending U.S. control over the    security forces in Latin America, a long-standing project carried a    long step forward by the Kennedy intellectuals, who recognized that    ‘in the Latin American cultural environment’ the military must be    prepared to remove government leaders from office whenever, in the judgment    of the military, the conduct of those leaders is injurious to the welfare    of the nation.”</span></li>
<li><span style="font-family: Times New Roman; font-size: small;">Under Jean-Claude    “Baby Doc” Duvalier, the ruthless dictator’s ruthless son, the    United States funded efforts to establish American assembly plants in    an environment of terror and pittance wages. Chomsky: “The consequences    were profits for U.S. manufactures and the Haitian superrich, and a    decline of fifty-six percent in Haitian wages through the 1980’s.”</span></li>
<li><span style="font-family: Times New Roman; font-size: small;">The United States    provided the post-Duvalier National Council of Government (NCG) with    $2.8 million in its first year, a year in which the NCG killed more    Haitian civilians than Jean-Claude Duvalier had killed in fifteen.</span></li>
</ul>
<p><span style="font-family: Times New Roman; font-size: small;">Now you know that the aid being  given to Haiti is no more than reimbursement. Aid tends to make money  for U.S. companies because goods and services are paid by taxpayers’  money to these companies providing the goods and services.</span></p>
<p><span style="font-family: Times New Roman; font-size: small;">Now we know.</span></p>
<p><span style="font-family: Times New Roman; font-size: small;">John</span></p>
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		<title>Jessica Ann Peavy She Knows Something You Don’t Know</title>
		<link>http://terencenance.com/2010/01/jessica-ann-peavy-she-knows-something-you-don%e2%80%99t-know/</link>
		<comments>http://terencenance.com/2010/01/jessica-ann-peavy-she-knows-something-you-don%e2%80%99t-know/#comments</comments>
		<pubDate>Mon, 11 Jan 2010 17:09:59 +0000</pubDate>
		<dc:creator>MVMT</dc:creator>
				<category><![CDATA[everything]]></category>
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		<guid isPermaLink="false">http://fly.mvmt.com/?p=708</guid>
		<description><![CDATA[Jessica is a friend of mine and a dope artist don't m iss her show (you only have 7 more days to see it!) Check out all the information below.
JESSICA ANN PEAVY

She Knows Something You Don't Know
Video Screening at Momenta Art


359 Bedford Avenue
Brooklyn, NY 11211
Between S4th &#38; S5th Sts


January 7th -January 18th


Opening and Food Tasting [...]]]></description>
			<content:encoded><![CDATA[<p>Jessica is a friend of mine and a dope artist don&#8217;t m iss her show (you only have 7 more days to see it!) Check out all the information below.</p>
<p><span style="font-weight: bold">JESSICA ANN PEAVY</span></p>
<p><span style="font-family: Times;font-size: 16px"><span style="border-collapse: collapse;font-size: 16px"></p>
<div><span style="font-style: italic">She Knows Something You Don&#8217;t Know</span></div>
<div><span>Video Screening at Momenta Art</span></div>
<div><span><br />
</span></div>
<div>359 Bedford Avenue</div>
<div>Brooklyn, NY 11211</div>
<div>Between S4th &amp; S5th Sts</div>
<div><span><br />
</span></div>
<div><span>January 7th -January 18th</span></div>
<div><span><br />
</span></div>
<div><span>Opening and Food Tasting </span></div>
<div><span>Sunday January 10th 3pm-5pm</span></div>
<div></div>
<div><span style="font-style: italic"><span style="font-family: 'Times New Roman';font-size: 16px;font-style: normal"><span style="font-family: 'Times New Roman'"><span style="font-size: x-small">Jessica Ann Pea</span></span><span style="font-family: 'Times New Roman'"><span style="font-size: x-small">vy (January 7 through January 18) </span></span><span style="font-family: 'Times New Roman'"><span style="font-size: x-small"> will present, </span></span><span style="font-family: TimesNewRoman"><em><span style="font-size: x-small">She Knows Something You Don&#8217;t Know,</span></em></span><span style="font-family: TimesNewRoman"><span style="font-size: x-small"> a single channel video exploring the characterization of the High Priestess, representing wisdom, intuition, secrecy, and sexuality in it&#8217;s purest form. This work explores a contemporary performance and ritual practice of the High Priestess and her mysterious understanding of the earth and the subconscious. It investigates the relationship between the magical versus the spiritual and how western religion has influenced African folk traditions and the connections between the sacred, the secular, gendered/sexual expression, and performance.</span></span></span></span></div>
<p></span></span></p>
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		<title>Animation: the learning curve</title>
		<link>http://terencenance.com/2009/12/animation-the-learning-curve/</link>
		<comments>http://terencenance.com/2009/12/animation-the-learning-curve/#comments</comments>
		<pubDate>Thu, 24 Dec 2009 11:22:38 +0000</pubDate>
		<dc:creator>terence</dc:creator>
				<category><![CDATA[hwuf]]></category>
		<category><![CDATA[animation]]></category>
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		<guid isPermaLink="false">http://terencenance.com/?p=368</guid>
		<description><![CDATA[


I wasn&#8217;t prepared for this process. I just spent the last few days making a very bad animatic. Don&#8217;t know what an animatic is? well here is an example of a good one.
You are apparently supposed to edit together your storyboards with the exact timing of all the character and camera movements. Maybe the task [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://terencenance.com/terencenance.com/wp-content/uploads/appc-storyboards012.jpg"><img class="alignnone" title="appc-storyboards012" src="http://terencenance.com/terencenance.com/wp-content/uploads/appc-storyboards012.jpg" alt="" width="553" height="285" /></a><br />
<object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="400" height="267" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://vimeo.com/moogaloop.swf?clip_id=2336288&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=0&amp;show_portrait=0&amp;color=737373&amp;fullscreen=1" /><embed type="application/x-shockwave-flash" width="400" height="267" src="http://vimeo.com/moogaloop.swf?clip_id=2336288&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=0&amp;show_portrait=0&amp;color=737373&amp;fullscreen=1" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<p><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="425" height="344" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://www.youtube.com/v/BN9VS2uwoJ0&amp;hl=en_US&amp;fs=1&amp;" /><param name="allowfullscreen" value="true" /><embed type="application/x-shockwave-flash" width="425" height="344" src="http://www.youtube.com/v/BN9VS2uwoJ0&amp;hl=en_US&amp;fs=1&amp;" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<div class="hwuf-blog-text">I wasn&#8217;t prepared for this process. I just spent the last few days making a very bad animatic. Don&#8217;t know what an animatic is? well here is an example of a good one.</p>
<p>You are apparently supposed to edit together your storyboards with the exact timing of all the character and camera movements. Maybe the task required a more meticulous dispostion than I posses but clearly MY animatic did not turn out as polished as the one above.</p>
<p>I have however been inspired to make an animated feature at some point in my career, I&#8217;ve been seduced by the control. In looking at visual references for the HWUF sequences on <a href="http://ffffound.com/">ffffound.com</a> I  realized how many different mark-making techniques could be applied to 2d animation that have yet to be explored in films (at least the ones I have seen). Persopolis has also subconsiously influnced this revelation. My resolve to do so was set in stone after walking out of Fantastic Mr. Fox which was&#8230; Fantastic.</p>
<p>There is a great example of an animatic somewhere in that video. apologies to the supremely talented and unlucky animator who has to work with my animatic.</p></div>
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		<title>Public Option is not Optional (petition)</title>
		<link>http://terencenance.com/2009/12/public-option-is-not-optional-petition/</link>
		<comments>http://terencenance.com/2009/12/public-option-is-not-optional-petition/#comments</comments>
		<pubDate>Thu, 24 Dec 2009 06:25:18 +0000</pubDate>
		<dc:creator>terence</dc:creator>
				<category><![CDATA[everything]]></category>
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		<guid isPermaLink="false">http://terencenance.com/?p=227</guid>
		<description><![CDATA[Another call to action from my mother, listen to her, I do and look how far it has gotten me. If you listen to her this time you might wiggle some affordable healthcare out of the deal.
hello all&#8211;  please join me in signing the petition below from Credo.  it is important for president obama and [...]]]></description>
			<content:encoded><![CDATA[<p>Another call to action from my mother, listen to her, I do and look how far it has gotten me. If you listen to her this time you might wiggle some affordable healthcare out of the deal.</p>
<p>hello all&#8211;  please join me in signing the petition below from Credo.  it is important for president obama and the administration to hear from us that the public option must be kept in the health care reform.</p>
<p>at this time last year, we were all working diligently to get sen. obama  elected.  in november we were victorious and in  january senator obama became president obama. remember those days?  remember the energy, the excitement, the work, the sense of purpose?  in some ways and on many days, it feels as though many of us stopped being engaged in the political process on november 5th.</p>
<p>the health care issue is our fight too.  on monday morning i joined approximately 200-220 people to march at the location of the eddie bernice johnson and pete sessions town hall meeting.  i was there from 7 to approximately 9:20.  i counted the black folk; there were<span style="font-style: italic;">maybe</span> 25 of us. let&#8217;s make our voices heard.  please take the time to sign this credo petition and pass the word.  the link is at the bottom of the page.</p>
<p>on and up, for indeed the struggle continues.</p>
<p>here is the letter from credo&#8230;</p>
<p>If we don&#8217;t make a stand now for a public option, the Obama administration may hedge on its plan for <span style="border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: #0066cc;">health care reform</span>.</p>
<p>This weekend, the Obama administration indicated that it might be open to passing health care reform without any provision for a public insurance option similar to <span>Medicare</span> that could compete with <span>private insurance companies</span>.</p>
<p>President Obama said that a public option was just a &#8220;sliver&#8221; of his plan. Secretary of Health and Human Services <span style="border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: #0066cc;">Kathleen Sebelius</span>went so far as to say that the public option was not an &#8220;essential&#8221; part of reform.</p>
<p>The comments this weekend by the president and Secretary Sebelius rhetorically pave the way for the Obama administration to cave on a meaningful public option and instead accept toothless<span style="background-image: none; background-repeat: repeat; background-attachment: scroll; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: transparent; background-position: 0% 0%;">regional health care</span> co-ops that would be unable to compete with insurance companies and keep them honest.</p>
<p>I just signed a petition to tell President Obama that the public option is not optional and that he should tell Congress and the voters that he will not sign a bill without a robust public option similar to Medicare.</p>
<p>I hope you will sign this petition too. Please have a look and take action.</p>
<p><a style="color: #0000cc;" rel="nofollow" href="http://act.credoaction.com/campaign/publicoption_bo/?r_by=5558-1840584-kEymG5x&amp;rc=confemail" target="_blank"><span>http://act.credoaction.com/campaign/publicoption_bo/?r_by=5558-1840584-kEymG5x&amp;rc=confemail</span></a></p>
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		<title>Blitz the Ambassador Live Sessions Trailer</title>
		<link>http://terencenance.com/2009/12/blitz-the-ambassador-live-sessions-trailer/</link>
		<comments>http://terencenance.com/2009/12/blitz-the-ambassador-live-sessions-trailer/#comments</comments>
		<pubDate>Thu, 10 Dec 2009 23:15:36 +0000</pubDate>
		<dc:creator>MVMT</dc:creator>
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		<guid isPermaLink="false">http://fly.mvmt.com/?p=701</guid>
		<description><![CDATA[A couple weeks ago, Blitz the Ambassador got back in the studio to record a Live EP for MTVu's House Band series.  The album was recorded and filmed, at Royal Blue Studios in Brooklyn, a completely analog facility run by platinum engineer/producer Robert Honablue (Miles Davis, Jimi Hendrix, Sly &#38; the Family Stone, Leonard Bernstein, [...]]]></description>
			<content:encoded><![CDATA[<p>A couple weeks ago, Blitz the Ambassador got back in the studio to record a Live EP for MTVu&#8217;s House Band series.  The album was recorded and filmed, at Royal Blue Studios in Brooklyn, a completely analog facility run by platinum engineer/producer Robert Honablue (Miles Davis, Jimi Hendrix, Sly &amp; the Family Stone, Leonard Bernstein, Aretha Franklin). Blitz recorded 5 songs during the session with a beefed up, 12-piece version of his Embassy Ensemble, and several special guests, including John Forte, Kate Mattison and Bajah (of the Dry Eye Crew).</p>
<p>As a special holiday gift from us, download the <a href="http://blitzlivessessions.bandcamp.com/" >Dying to Live feat. John Forte here</a>.</p>
<p><a href="http://blitzlivesessions.bandcamp.com/track/dying-to-live-feat-john-forte">Dying to Live feat. John Forte by BlitzLiveSessions</a></p>
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		<title>Exodus Filmmworks Blog</title>
		<link>http://terencenance.com/2009/11/exodus-filmmworks-blog/</link>
		<comments>http://terencenance.com/2009/11/exodus-filmmworks-blog/#comments</comments>
		<pubDate>Tue, 24 Nov 2009 14:17:58 +0000</pubDate>
		<dc:creator>terence</dc:creator>
				<category><![CDATA[everything]]></category>
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		<description><![CDATA[yo, lets help the immensely talented director Ya&#8217;ke get his film made. His track record speaks for itself Cannes, Student Academy Award Nom, etc etc
The film is called Katrina&#8217;s Son, check the links for detailed info below. He needs financing, anything you can do will help!
http://www.exodusfilmworks.com/katrinasson.html
http://exodusfilmworks.blogspot.com/
]]></description>
			<content:encoded><![CDATA[<p>yo, lets help the immensely talented director Ya&#8217;ke get his film made. His track record speaks for itself Cannes, Student Academy Award Nom, etc etc</p>
<p>The film is called Katrina&#8217;s Son, check the links for detailed info below. He needs financing, anything you can do will help!</p>
<p>http://www.exodusfilmworks.com/katrinasson.html</p>
<p>http://exodusfilmworks.blogspot.com/<a href="http://www.exodusfilmworks.com"><img alt="" src="http://www.exodusfilmworks.com/images/Katrina_web_page.jpg" title="katrinas son" class="alignnone" width="325" height="432" /></a></p>
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		<title>sammy sammy sammy</title>
		<link>http://terencenance.com/2009/11/sammy-sammy-sammy/</link>
		<comments>http://terencenance.com/2009/11/sammy-sammy-sammy/#comments</comments>
		<pubDate>Tue, 10 Nov 2009 01:01:04 +0000</pubDate>
		<dc:creator>terence</dc:creator>
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		<description><![CDATA[
]]></description>
			<content:encoded><![CDATA[<p><a href="http://newsblogs.chicagotribune.com/.a/6a00d8341c60fd53ef0120a666df48970b-pi"><img class="alignnone" title="wow" src="http://newsblogs.chicagotribune.com/.a/6a00d8341c60fd53ef0120a666df48970b-pi" alt="" width="580" height="225" /></a></p>
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		<title>Nick James Plays Common (I Used to Love H.E.R. and They Say Remixes)</title>
		<link>http://terencenance.com/2009/11/nick-james-plays-common-i-used-to-love-h-e-r-and-they-say-remixes/</link>
		<comments>http://terencenance.com/2009/11/nick-james-plays-common-i-used-to-love-h-e-r-and-they-say-remixes/#comments</comments>
		<pubDate>Tue, 03 Nov 2009 15:57:57 +0000</pubDate>
		<dc:creator>rolando</dc:creator>
				<category><![CDATA[everything]]></category>
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		<guid isPermaLink="false">http://fly.mvmt.com/?p=692</guid>
		<description><![CDATA[
I religiously love good music.
I have a lot friends who know this about me.
A friend, who is also a constant source of good music, is Nick James.
I met Nick James, aka Nick Loves The Kids, in Oakland several years ago, introduced by Chinaka Hodge (a very talented Writer &#38; Performer), with the words, "he's sort [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-693" src="http://fly.mvmt.com/files/2009/11/Screen-shot-2009-11-03-at-10.54.57-AM.png" alt="Nick James Plays Common" width="514" height="341" /></p>
<p><strong>I religiously love good music.</strong></p>
<p>I have <span style="text-decoration: line-through">a lot </span>friends who know this about me.</p>
<p>A friend, who is also a constant source of good music, is <a href="http://thefreeexperience.com">Nick James</a>.</p>
<p>I met Nick James, aka Nick Loves The Kids, in Oakland several years ago, introduced by <a href="http://thickwitness.com/">Chinaka Hodge</a> (a very talented Writer &amp; Performer), with the words, &#8220;he&#8217;s sort of like you, but is also a producer.&#8221;</p>
<p>Below is a recent message from Nick James, friend of the MVMT, and all around creative powerhouse.</p>
<p>-<a href="http://grow.mvmt.com">Grow</a></p>
<p>&#8212;</p>
<p>&#8220;Nick James Plays Common is the fourth installment in the series of remixes dropping every week.  Last week I dropped <a href="http://www.thefreeexperience.com/2009/10/nick-james-plays-crown-city-rockers.html" >Nick James Plays Crown City Rockers</a> and weeks back I released <a href="http://rapidshare.com/files/290813655/Nick_James_Plays_Outkast.zip" >Nick James Plays Outkast</a> &amp; <a href="http://usershare.net/y3a74j7znolk" >Nick James Plays Stevie Wonder</a>.  This download consists of three remixes I made of Chicago Emcee, Common.  I remixed his classic <em>I Used to Love H.E.R.</em> twice! as well as the song <em>They Say</em> off the album, <em>Be</em>.  The complete download has the remixes, instrumentals, and samples used.  You can listen and download the individual songs as well below.<br />
<strong><br />
<em>Download Entire Project Here:</em></strong><br />
<a href="http://rapidshare.com/files/301267431/Nick_James_Plays_Common.zip" >http://rapidshare.com/files/301267431/Nick_James_Plays_Common.zip</a></p>
<p><strong><em>Listen &amp; Watch on Vimeo:</em></strong><br />
<a href="http://www.vimeo.com/7389012" >http://www.vimeo.com/7389012</a></p>
<p><strong><em>Download Individual Songs Here:</em></strong><br />
Common &#8211; I Used to Love H.E.R. (Nick James Remix)<br />
<a href="http://usershare.net/a7pnygngw5ci" >http://usershare.net/a7pnygngw5ci</a></p>
<p>Common &#8211; They Say feat. Kanye West and John Legend (Nick James Remix)<br />
<a href="http://usershare.net/kgd11qotnoy1" >http://usershare.net/kgd11qotnoy1</a></p>
<p>Peace,</p>
<p>Nick James&#8221;</p>
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		<title>Protected: audio for appendix E</title>
		<link>http://terencenance.com/2009/11/audio-for-appendix-e/</link>
		<comments>http://terencenance.com/2009/11/audio-for-appendix-e/#comments</comments>
		<pubDate>Sun, 01 Nov 2009 21:45:00 +0000</pubDate>
		<dc:creator>terence</dc:creator>
				<category><![CDATA[hwuf]]></category>

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